Basque Audiovisual: meet us at MIPCOM 2009, the world's audiovisual and digital content market

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EXPRESSIVE MEDIA PROJECTS is a distribution company of audiovisual contents for the national and international market. The company's main focus lies on documentary & animation feature films as well as on TV Movies.

In the Spanish arena, the main features of EXPRESSIVE are having the worldwide exclusive distribution rights of the Basque Regional Public TV, the so-called EUSKAL TELEBISTA. In the international arena, EXPRESSIVE attends the main audiovisual markets in order to acquire high quality productions. All together makes the catalogue of EXPRESSIVE very much appealing and large.

• Animal Chanel
  The stork Cathy, the mouse Nicholas and his family were forced to close down the cinema where they work for a living. Has reached the age of television and many of his former prefer to stay home fascinated by the new television programs. With courage and imagination that characterized them, our friends decide to become the intrepid reporters of a new television channel run by Papa Mouse. After done with a camera and the necessary equipment, looking for a program with a large audience that hauls them to stardom. It will not be easy. After several failed attempts they decided to do something very original: go in search of a dove migration that give all disappeared and broadcasted by the adventure of finding live. Cathy and Nico will travel to five continents and known to neighbors around the world. Soon you will see that they are not alone in the fascinating search for the famous Paloma Migration
• Balenciaga: endurance in an ephemeral world
  Cristóbal Balenciaga (1895 - 1972) loved art. He was often to be seen strolling quietly through the Louvre, the very gallery that just a few decades later was to host a major exhibition of his work. He often presented his friends with valuable pictures that particularly took his fancy. His own Paris apartment, however, was decorated with a single picture of some boats, a few religious statues, Spanish carpets, a host of Baroque mirrors and Castilian furniture. Why did he not want any paintings hanging in his home? He said he preferred mirrors—he always had the feeling that the pictures were looking back at him and they might interrupt or disturb his thinking, when he was occupied with ideas for dresses... Who was this paradoxical, generous and unique man, whose face we have come to know from Man Ray's portraits? (Documentary 1x52')